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El Internacional (New York City)
El Internacional Tapas Bar & Restaurant was conceived as an artistic project and social experiment, carried out between 1984 and 1986 by artist Antoni Miralda〔Museo Nacional Centro de Arte Reina Sofia, Madrid. ''Catalogue of the exhibition Miralda De gustibus non disputandum'', 2010〕 and chef Montse Guillén〔Craig Claiborne. ''Sampling the Zesty Catalan Cuisine'', The New York Times, August 18, 1982〕 in the Tribeca neighborhood of Manhattan, New York City. It was an initiative merging the cultural contexts of contemporary art and cuisine. The restaurant's popularity and renown would become a daring exploration of cross-cultural, trans-disciplinary esthetics and somehow an iconic symbol of the New York scene of the 80s. The project engaged food, sensorial experiences and installation art as vehicles and rituals for transmitting and subverting traditions and blending social practices of the time. El Internacional was seen as a point of convergence for the artistic community, and, at the same time, as a real place that engaged neighbors and celebrities alike in its culinary inventions and exotic allure. El Internacional was an ongoing process of the almost 3-year day-by-day creation of a work of installation and performance art.
El Internacional was a team project and a collective work of art. The space framed the experience and interactions around food as clients ended up being participants in a multi-layered experience few had imagined. The visit led to unexpected situations and stimulating relationships between art, design, architecture and the mass media.
== History ==
El Internacional was the first restaurant to introduce the tapas in the United States.〔Gael Green. ''The Tapa Dance Kid'', New York Magazine, November 12, 1984〕 The tapas recreated the presence of Spain, the Mediterranean, Catalonia, and Barcelona, as filtered by through the personal visions of Miralda and Montse Guillén. At the time, Miralda was preparing his traveling work, ''Honeymoon Project'', in which a series of ceremonial events would commemorate the imaginary wedding between the monuments of Columbus in Barcelona and Statue of Liberty in the Upper New York Bay from 1985 to 1992.〔Maria Lluïsa Borràs. ''Colon & Liberty: Luna de Miel Honeymoon. Catalogue of the Spanish Pavilion''. 44 Biennale di Venezia, Ministerio de Asuntos Exteriores. Ambit Servicios Editoriales, Barcelona, 1990〕
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